N–W

languages circus suspension on electric wires and on sound devices, live electronic music, movement and text
authorship and circography* Mati Muñoz and Thaïs Julià
original idea Thaïs Julià
performance Thaïs Julià and Mati Muñoz
sound composition and live music Mati Muñoz
performance on aerial devices Thaïs Julià
lighting and stage design Gabriela Bianchi
technical design Roger Compte
performance assistance Marina Barsy x Isil Sol Vil (tbd)
performative text assistance Semolina Tomik (tbd)
sound assistance Agustín Morelli and Mariano Morales (tbd)
costumes Som Noise and accompaniment (tbd)
visuals Som Noise and Clara Pedrol (tbd)
production and distribution support Biel Martínez Lorca

*Circography writing, dramaturgy and specific staging of a circus creation (Neologism byMaroussia Diaz Verbèke, 2015, open source)

PARTNERS: circusnext platform 2024 (UE, national selection) / La Grainerie (FR) / Cirqueon (CZ) / L’Estruch (SP) / coproduction Ajuntament Tarragona & Antic Teatre (SP) / OSIC – Research & Innovation Grant / coproduction Mercat de les Flors (SP, tbc)

Due sistemi PA e un subwoofer gravitano nello spazio. Appesi alle imbracature, oscillano, suonano. Altri due corpi, finalmente umani, in intimo rapporto con la macchina, la venerano, la temono, ne hanno bisogno. Cercano, attraverso il circo aereo, il movimento e la musica, il loro posto e la loro essenza. In questo panorama tecnologico, c’è spazio per l’assurdo e la riflessione: qual è il posto del corpo oggi? Dove si colloca di fronte alla perfezione tecnologica? Una liturgia a volte poetica a volte patetica, alla vita nel continuo presente e all’obsolescenza dei corpi.

Two PA systems and a subwoofer gravitate in space. Hanging from slings, they swing, turn, sound. Two human bodies seek and claim, through the aerial circus, movement and live music, their place and their essence. In the desolate technological landscape, there is space for the absurd and reflection: what is the place of the body today?